Compositions

Jeremy Siepmann - An Intoduction to Dvorak Symphony No 9

Jeremy Siepmann - An Intoduction to Dvorak Symphony No 9
Year:2002
Genre:Symphony / Symphonic music
Composer:Antonin Dvorak
Conductor:Stephen Gunzenhauser
Performers:
 

CD1

1 01. 1. A quiet beginning: sorrow syncopation and sequence 2:38 6.03 Mb 320 Kbps buy
 
2 02. 2. Instrumental colour as a prime element: clarinets and bassoons an outburs... 0:57 2.18 Mb 320 Kbps buy
 
3 03. 3. The opening tune again with different instrumental colouring now flutes ... 0:32 1.22 Mb 320 Kbps buy
 
4 04. 4. The first big surprise: strings shattering drumbeats shrieks from flutes... 0:37 1.41 Mb 320 Kbps buy
 
5 05. 5. Cellos and basses take us into a new key while flutes and oboes dance in s... 0:32 1.22 Mb 320 Kbps buy
 
6 06. 6. Horns violas and cellos introduce a new idea soon to evolve into the ma... 0:31 1.19 Mb 320 Kbps buy
 
7 07. 7. A tiny detail from the opening culminates in a wild drumming that heralds ... 0:43 1.64 Mb 320 Kbps buy
 
8 08. 8. Introduction complete 2:05 4.77 Mb 320 Kbps buy
 
9 09. 9. A solo horn introduces the main theme perkily answered by bassoons and horns 0:39 1.49 Mb 320 Kbps buy
 
10 10. 10. The theme moves to G major answering phrase from flutes oboes bassoons... 0:33 1.26 Mb 320 Kbps buy
 
11 11. 11. Long crescendo tremolo strings back to tonic and biggest statement yet ... 0:39 1.49 Mb 320 Kbps buy
 
12 12. 12. Transition to the secondary theme through the use of sequence. Sonata for... 1:36 3.67 Mb 320 Kbps buy
 
13 13. 13. Three-bar groupings and again the use of sequence spelling out a chord 0:34 1.30 Mb 320 Kbps buy
 
14 14. 14. The sequence continues to rise and the four-bar phrase returns as the st... 0:18 0.69 Mb 320 Kbps buy
 
15 15. 15. The first violins start off the next phrase but the melodic shape is mor... 0:21 0.80 Mb 320 Kbps buy
 
16 16. 16. The violins fall silent the violas and cellos answer with a new figure ... 0:09 0.35 Mb 320 Kbps buy
 
17 17. 17. So now we have a two-tear group made up of statement and answer 0:07 0.27 Mb 321 Kbps buy
 
18 18. 18. The same thing again though not quite the same 0:05 0.20 Mb 321 Kbps buy
 
19 19. 19. Transition complete. The secondary theme arrives with French horns as b... 1:00 2.29 Mb 320 Kbps buy
 
20 20. 20. The bagpipe drone is taken over by cellos with their insistently repea... 0:19 0.73 Mb 320 Kbps buy
 
21 21. 21. The tune is taken up by cellos and double-basses shadowed by the secon... 0:57 2.18 Mb 320 Kbps buy
 
22 22. 22. The violins continue a pattern of steady pairs and the cellos and basses... 0:33 1.26 Mb 320 Kbps buy
 
23 23. 23. Unexpectedly we find ourselves back with the secondary theme. A new idea... 0:26 0.99 Mb 320 Kbps buy
 
24 24. 24. Again we hear the shortened version of the secondary theme followed by m... 0:33 1.26 Mb 320 Kbps buy
 
25 25. 25. The suspense is heightened as everything slows down a soft still varian... 0:25 0.96 Mb 320 Kbps buy
 
26 26. 26. This beautiful flute tune is said to resemble Swing Low Sweet Chariot 0:47 1.80 Mb 320 Kbps buy
 
27 27. 27. A big crescendo leads to a final statement of the closing theme bringing... 1:16 2.90 Mb 320 Kbps buy
 
28 28. 28. The development section begins with a conversation between cellos double... 1:09 2.63 Mb 320 Kbps buy
 
29 29. 29. The beginning of the closing theme is taken up in turn by the horn picco... 0:18 0.69 Mb 320 Kbps buy
 
30 30. 30. Sequential chirping from the oboes based on the answering part of the m... 0:18 0.69 Mb 320 Kbps buy
 
31 31. 31. Much of the development comes from a diminution of the closing theme from... 0:19 0.73 Mb 320 Kbps buy
 
32 32. 32. A tiny detail becomes a major ingredient giving an agitated quality to a... 0:31 1.19 Mb 320 Kbps buy
 
33 33. 33. Through a sequence of keys so quickly that it is hard to keep track of th... 0:37 1.42 Mb 320 Kbps buy
 
34 34. 34. The main theme from massed cellos and double-basses topped by two trumpe... 1:46 4.05 Mb 320 Kbps buy
 
35 35. 35. After that major climax we arrive at the threshold of the recapitulation... 1:04 2.45 Mb 320 Kbps buy
 
36 36. 36. Dvorak flouts tradition by setting the secondary theme and the closing th... 1:10 2.67 Mb 320 Kbps buy
 
37 37. 37. The tumultuous convulsion of the coda brings the first movement to its ep... 3:09 7.21 Mb 320 Kbps buy
 
38 38. 38. Humpty Dumpty: putting the bits back together again 0:20 0.77 Mb 320 Kbps buy
 
39 39. 39. First movement complete 11:36 26.56 Mb 320 Kbps buy
 
40 40. 40. The very opening chords unmistakably herald the arrival of something special 1:06 2.52 Mb 320 Kbps buy
 
41 41. 41. The role of instrumentation in setting the scene 1:10 2.67 Mb 320 Kbps buy
 
42 42. 42. and in enhancing the quality of one of the most famous tunes in symphonic... 1:29 3.40 Mb 320 Kbps buy
 
43 43. 43. The cor anglais is joined by the clarinet creating a fascinating change ... 1:08 2.60 Mb 320 Kbps buy
 
44 44. 44. For the closing part of the tune there is another new sonority: cor angl... 0:24 0.92 Mb 320 Kbps buy
 
45 45. 45. The closing bar is repeated by clarinets and bassoons the horn adding a ... 0:28 1.07 Mb 320 Kbps buy
 
46 46. 46. Back to the start to hear the whole of the story so far this time withou... 2:24 5.50 Mb 320 Kbps buy
 
47 47. 47. A change of scoring: the slow opening chords return this time played by ... 1:14 2.83 Mb 320 Kbps buy
 
48 48. 48. The changes in scoring are just beginning 2:35 5.92 Mb 320 Kbps buy
 
49 49. 49. The flutes and oboes introduce a new tune over hushed tremolo strings 1:05 2.48 Mb 320 Kbps buy
 
50 50. 50. A memorable combination of continuous asymmetrical melody with steady m... 1:28 3.36 Mb 320 Kbps buy
 
51 51. 51. Back in that woodland glade the light and shadows have changed revealin... 1:33 3.55 Mb 320 Kbps buy
 
52 52. 52. The next section is new and forward-looking yet also a kind of dream-rec... 1:30 3.44 Mb 320 Kbps buy
 
53 54. 54. Subjectivity and expertise Sourek and Tovey disagree onwards into the ... 5:14 11.98 Mb 320 Kbps buy
 
54 55. 55. Cue to whole movement 0:10 0.39 Mb 320 Kbps buy
 
55 56. 56. Second movement complete 12:00 27.47 Mb 320 Kbps buy
 

CD2

1 01. 01. Dvorak Beethoven and the Scherzo Dvorak purposely confuses the listene... 1:54 4.35 Mb 320 Kbps buy
 
2 02. 02. Using a little fanfare Dvorak further builds up expectation before revea... 0:21 0.81 Mb 320 Kbps buy
 
3 03. 03. When the theme is revealed we find that it is not exactly a tune 0:36 1.38 Mb 320 Kbps buy
 
4 04. 04. Two little bursts of rhythm provide the seeds from which much of the move... 0:24 0.92 Mb 320 Kbps buy
 
5 05. 05. It is the second half of the theme that dominates 0:22 0.84 Mb 320 Kbps buy
 
6 06. 06. Back to the beginning to hear the whole of this opening section 0:48 1.84 Mb 320 Kbps buy
 
7 07. 07. Without ever being remotely academic or intellectual there is much c... 0:20 0.77 Mb 320 Kbps buy
 
8 08. 08. Dvorak s very Czech love of combining conflicting rhythms sometimes metres 2:31 5.76 Mb 320 Kbps buy
 
9 09. 09. A clearly transitional passage obsessed with the rhythmic tag that both ... 0:30 1.15 Mb 320 Kbps buy
 
10 10. 10. Sooner than we may have expected we seem to have arrived at the Trio sec... 1:07 2.56 Mb 320 Kbps buy
 
11 11. 11. A new kind of tone quality sheds a subtly different light on the theme 0:35 1.34 Mb 320 Kbps buy
 
12 12. 12. The flutes and oboes now chime in with an answering variant of the opening 0:21 0.81 Mb 320 Kbps buy
 
13 13. 13. and the cellos and bassoons take up the original version of the theme. 0:43 1.64 Mb 320 Kbps buy
 
14 14. 14. A false alarm: it was not the traditional Trio section at all but rather... 0:52 1.99 Mb 320 Kbps buy
 
15 15. 15. Soon after a very rapid build the Scherzo proper does reach its final phase 1:13 2.79 Mb 320 Kbps buy
 
16 16. 16. The orchestral texture thins dramatically and we approach what this time... 1:28 3.36 Mb 320 Kbps buy
 
17 17. 17. The Trio section is reminiscent more of the Old World than the New 0:50 1.91 Mb 320 Kbps buy
 
18 18. 18. In the second half of the Trio a new tune emerges a kind of Slavonic waltz 1:00 2.29 Mb 320 Kbps buy
 
19 19. 19. The main theme of the Trio returns against a much fuller orchestral backg... 0:36 1.38 Mb 320 Kbps buy
 
20 20. 20. Then it is all a matter of repeats until we reach the coda which ends w... 1:15 2.87 Mb 320 Kbps buy
 
21 21. 21. Third movement complete 8:07 18.58 Mb 320 Kbps buy
 
22 22. 22. Like the first movement the fourth begins not with its main theme but wi... 0:47 1.80 Mb 320 Kbps buy
 
23 23. 23. The main theme: an imposing march introduced by trumpets and trombones ... 0:48 1.83 Mb 320 Kbps buy
 
24 24. 24. The main theme part two. A codetta-like passage closes off the march and... 1:01 2.33 Mb 320 Kbps buy
 
25 25. 25. The transitional theme while outwardly contrasting is actually a hidd... 0:53 2.03 Mb 320 Kbps buy
 
26 26. 26. A point of future obsession 0:16 0.62 Mb 320 Kbps buy
 
27 27. 27. The second half of this transitional theme is given to the winds as soo... 0:16 0.62 Mb 320 Kbps buy
 
28 28. 28. The obsession takes root with a ten-fold repetition before the arriva... 0:57 2.18 Mb 320 Kbps buy
 
29 29. 29. The hidden traps in sonata-form terminology: second main theme vs. sec... 2:31 5.76 Mb 320 Kbps buy
 
30 30. 30. The unexpected entry and subsequent ubiquity of Three Blind Mice 1:23 3.17 Mb 320 Kbps buy
 
31 31. 31. We meet the mice again now in the cellos and double-basses where they p... 0:36 1.38 Mb 320 Kbps buy
 
32 32. 32. More Three Blind Mice material 0:30 1.15 Mb 320 Kbps buy
 
33 33. 33. The mice return to the basement where the bassoons have joined the cello... 0:19 0.73 Mb 320 Kbps buy
 
34 34. 34. Next they are back with the clarinets now joined by pizzicato violas w... 0:18 0.69 Mb 320 Kbps buy
 
35 35. 35. Now they return to the high winds delicately trilling 0:15 0.58 Mb 320 Kbps buy
 
36 36. 36. Relief at last: the mice back off making way for a reminder of the main... 0:34 1.30 Mb 320 Kbps buy
 
37 37. 37. The mice yield to woodpeckers clarinets the main theme or its opening... 1:07 2.56 Mb 320 Kbps buy
 
38 38. 38. The triplets of the transitional theme are now handed down through stri... 0:23 0.88 Mb 320 Kbps buy
 
39 39. 39. Reminders of past movements begin to fly by thick and fast sometimes ve... 0:28 1.07 Mb 320 Kbps buy
 
40 40. 40. In fact there are three bits of quotation going on here simultaneously 0:23 0.88 Mb 320 Kbps buy
 
41 41. 41. The violas react every time the Goin Home theme is quoted by the winds 0:13 0.50 Mb 320 Kbps buy
 
42 42. 42. The rhythm of the opening of the Goin Home theme dominates transforme... 0:35 1.34 Mb 320 Kbps buy
 
43 43. 43. The march theme reappears as a Mendelssohnian fairy the main theme from ... 1:55 4.39 Mb 320 Kbps buy
 
44 44. 44. We reach an interesting point: have we heard the beginning of the recapit... 1:05 2.48 Mb 320 Kbps buy
 
45 45. 45. Perhaps this is it? Back for a reminder of the theme proper as we first ... 1:41 3.86 Mb 320 Kbps buy
 
46 46. 46. Tovey places the start of the recapitulation here 1:27 3.32 Mb 320 Kbps buy
 
47 47. 47. The main theme recast in pathetic rather than heroic terms - and with mag... 1:51 4.24 Mb 320 Kbps buy
 
48 48. 48. This unexpected crisis in confidence plays a major role in the overall dr... 1:49 4.16 Mb 320 Kbps buy
 
49 49. 49. The main theme returns - not complete but chopped up into shorter and sh... 1:30 3.44 Mb 320 Kbps buy
 
50 50. 50. A glorious thematic stew high drama a powerful build-up... but then? 0:56 2.14 Mb 320 Kbps buy
 
51 51. 51. The dramatic highpoint of the movement an astonishing transformation bu... 1:26 3.29 Mb 320 Kbps buy
 
52 52. 52. The same chords again this time blasted out by the entire wind and brass... 1:09 2.64 Mb 320 Kbps buy
 
53 53. 53. Now we are into the finishing stretch but the surprises continue to the ... 1:42 3.90 Mb 320 Kbps buy
 
54 54. 54. Summary context and cue into the whole movement 1:05 2.48 Mb 320 Kbps buy
 
55 55. 55. Fourth movement complete 11:05 25.37 Mb 320 Kbps buy
 

Buy all (with 10% discount)  

CD1

1 01. 1. A quiet beginning: sorrow syncopation and sequence 2:38 11.27 Mb 598 Kbps buy
 
2 02. 2. Instrumental colour as a prime element: clarinets and bassoons an outburs... 0:57 3.60 Mb 529 Kbps buy
 
3 03. 3. The opening tune again with different instrumental colouring now flutes ... 0:32 2.08 Mb 544 Kbps buy
 
4 04. 4. The first big surprise: strings shattering drumbeats shrieks from flutes... 0:37 2.73 Mb 618 Kbps buy
 
5 05. 5. Cellos and basses take us into a new key while flutes and oboes dance in s... 0:32 2.01 Mb 527 Kbps buy
 
6 06. 6. Horns violas and cellos introduce a new idea soon to evolve into the ma... 0:31 2.14 Mb 578 Kbps buy
 
7 07. 7. A tiny detail from the opening culminates in a wild drumming that heralds ... 0:43 3.28 Mb 640 Kbps buy
 
8 08. 8. Introduction complete 2:05 8.11 Mb 543 Kbps buy
 
9 09. 9. A solo horn introduces the main theme perkily answered by bassoons and horns 0:39 2.65 Mb 570 Kbps buy
 
10 10. 10. The theme moves to G major answering phrase from flutes oboes bassoons... 0:33 2.47 Mb 626 Kbps buy
 
11 11. 11. Long crescendo tremolo strings back to tonic and biggest statement yet ... 0:39 3.09 Mb 664 Kbps buy
 
12 12. 12. Transition to the secondary theme through the use of sequence. Sonata for... 1:36 6.52 Mb 569 Kbps buy
 
13 13. 13. Three-bar groupings and again the use of sequence spelling out a chord 0:34 2.38 Mb 587 Kbps buy
 
14 14. 14. The sequence continues to rise and the four-bar phrase returns as the st... 0:18 1.26 Mb 588 Kbps buy
 
15 15. 15. The first violins start off the next phrase but the melodic shape is mor... 0:21 1.40 Mb 560 Kbps buy
 
16 16. 16. The violins fall silent the violas and cellos answer with a new figure ... 0:09 0.67 Mb 620 Kbps buy
 
17 17. 17. So now we have a two-tear group made up of statement and answer 0:07 0.46 Mb 554 Kbps buy
 
18 18. 18. The same thing again though not quite the same 0:05 0.32 Mb 536 Kbps buy
 
19 19. 19. Transition complete. The secondary theme arrives with French horns as b... 1:00 4.36 Mb 608 Kbps buy
 
20 20. 20. The bagpipe drone is taken over by cellos with their insistently repea... 0:19 1.38 Mb 609 Kbps buy
 
21 21. 21. The tune is taken up by cellos and double-basses shadowed by the secon... 0:57 4.37 Mb 641 Kbps buy
 
22 22. 22. The violins continue a pattern of steady pairs and the cellos and basses... 0:33 2.34 Mb 593 Kbps buy
 
23 23. 23. Unexpectedly we find ourselves back with the secondary theme. A new idea... 0:26 1.85 Mb 597 Kbps buy
 
24 24. 24. Again we hear the shortened version of the secondary theme followed by m... 0:33 2.36 Mb 598 Kbps buy
 
25 25. 25. The suspense is heightened as everything slows down a soft still varian... 0:25 1.74 Mb 580 Kbps buy
 
26 26. 26. This beautiful flute tune is said to resemble Swing Low Sweet Chariot 0:47 3.31 Mb 591 Kbps buy
 
27 27. 27. A big crescendo leads to a final statement of the closing theme bringing... 1:16 5.77 Mb 637 Kbps buy
 
28 28. 28. The development section begins with a conversation between cellos double... 1:09 5.01 Mb 609 Kbps buy
 
29 29. 29. The beginning of the closing theme is taken up in turn by the horn picco... 0:18 1.20 Mb 558 Kbps buy
 
30 30. 30. Sequential chirping from the oboes based on the answering part of the m... 0:18 1.25 Mb 579 Kbps buy
 
31 31. 31. Much of the development comes from a diminution of the closing theme from... 0:19 1.33 Mb 587 Kbps buy
 
32 32. 32. A tiny detail becomes a major ingredient giving an agitated quality to a... 0:31 2.19 Mb 590 Kbps buy
 
33 33. 33. Through a sequence of keys so quickly that it is hard to keep track of th... 0:37 2.68 Mb 606 Kbps buy
 
34 34. 34. The main theme from massed cellos and double-basses topped by two trumpe... 1:46 8.75 Mb 691 Kbps buy
 
35 35. 35. After that major climax we arrive at the threshold of the recapitulation... 1:04 4.55 Mb 596 Kbps buy
 
36 36. 36. Dvorak flouts tradition by setting the secondary theme and the closing th... 1:10 4.88 Mb 584 Kbps buy
 
37 37. 37. The tumultuous convulsion of the coda brings the first movement to its ep... 3:09 14.85 Mb 658 Kbps buy
 
38 38. 38. Humpty Dumpty: putting the bits back together again 0:20 1.38 Mb 578 Kbps buy
 
39 39. 39. First movement complete 11:36 55.73 Mb 671 Kbps buy
 
40 40. 40. The very opening chords unmistakably herald the arrival of something special 1:06 4.07 Mb 516 Kbps buy
 
41 41. 41. The role of instrumentation in setting the scene 1:10 4.27 Mb 512 Kbps buy
 
42 42. 42. and in enhancing the quality of one of the most famous tunes in symphonic... 1:29 5.86 Mb 552 Kbps buy
 
43 43. 43. The cor anglais is joined by the clarinet creating a fascinating change ... 1:08 4.34 Mb 534 Kbps buy
 
44 44. 44. For the closing part of the tune there is another new sonority: cor angl... 0:24 1.60 Mb 555 Kbps buy
 
45 45. 45. The closing bar is repeated by clarinets and bassoons the horn adding a ... 0:28 1.69 Mb 504 Kbps buy
 
46 46. 46. Back to the start to hear the whole of the story so far this time withou... 2:24 8.64 Mb 503 Kbps buy
 
47 47. 47. A change of scoring: the slow opening chords return this time played by ... 1:14 5.09 Mb 576 Kbps buy
 
48 48. 48. The changes in scoring are just beginning 2:35 9.78 Mb 529 Kbps buy
 
49 49. 49. The flutes and oboes introduce a new tune over hushed tremolo strings 1:05 4.32 Mb 557 Kbps buy
 
50 50. 50. A memorable combination of continuous asymmetrical melody with steady m... 1:28 5.80 Mb 552 Kbps buy
 
51 51. 51. Back in that woodland glade the light and shadows have changed revealin... 1:33 6.72 Mb 605 Kbps buy
 
52 52. 52. The next section is new and forward-looking yet also a kind of dream-rec... 1:30 5.98 Mb 557 Kbps buy
 
53 54. 54. Subjectivity and expertise Sourek and Tovey disagree onwards into the ... 5:14 20.56 Mb 549 Kbps buy
 
54 55. 55. Cue to whole movement 0:10 0.69 Mb 573 Kbps buy
 
55 56. 56. Second movement complete 12:00 46.33 Mb 539 Kbps buy
 

CD2

1 01. 01. Dvorak Beethoven and the Scherzo Dvorak purposely confuses the listene... 1:54 7.74 Mb 569 Kbps buy
 
2 02. 02. Using a little fanfare Dvorak further builds up expectation before revea... 0:21 1.44 Mb 572 Kbps buy
 
3 03. 03. When the theme is revealed we find that it is not exactly a tune 0:36 2.44 Mb 566 Kbps buy
 
4 04. 04. Two little bursts of rhythm provide the seeds from which much of the move... 0:24 1.58 Mb 548 Kbps buy
 
5 05. 05. It is the second half of the theme that dominates 0:22 1.37 Mb 519 Kbps buy
 
6 06. 06. Back to the beginning to hear the whole of this opening section 0:48 3.92 Mb 684 Kbps buy
 
7 07. 07. Without ever being remotely academic or intellectual there is much c... 0:20 1.41 Mb 589 Kbps buy
 
8 08. 08. Dvorak s very Czech love of combining conflicting rhythms sometimes metres 2:31 10.61 Mb 589 Kbps buy
 
9 09. 09. A clearly transitional passage obsessed with the rhythmic tag that both ... 0:30 2.08 Mb 581 Kbps buy
 
10 10. 10. Sooner than we may have expected we seem to have arrived at the Trio sec... 1:07 4.34 Mb 543 Kbps buy
 
11 11. 11. A new kind of tone quality sheds a subtly different light on the theme 0:35 2.51 Mb 600 Kbps buy
 
12 12. 12. The flutes and oboes now chime in with an answering variant of the opening 0:21 1.48 Mb 590 Kbps buy
 
13 13. 13. and the cellos and bassoons take up the original version of the theme. 0:43 3.08 Mb 599 Kbps buy
 
14 14. 14. A false alarm: it was not the traditional Trio section at all but rather... 0:52 3.51 Mb 566 Kbps buy
 
15 15. 15. Soon after a very rapid build the Scherzo proper does reach its final phase 1:13 5.68 Mb 652 Kbps buy
 
16 16. 16. The orchestral texture thins dramatically and we approach what this time... 1:28 5.79 Mb 552 Kbps buy
 
17 17. 17. The Trio section is reminiscent more of the Old World than the New 0:50 3.48 Mb 583 Kbps buy
 
18 18. 18. In the second half of the Trio a new tune emerges a kind of Slavonic waltz 1:00 4.21 Mb 588 Kbps buy
 
19 19. 19. The main theme of the Trio returns against a much fuller orchestral backg... 0:36 2.74 Mb 638 Kbps buy
 
20 20. 20. Then it is all a matter of repeats until we reach the coda which ends w... 1:15 5.16 Mb 576 Kbps buy
 
21 21. 21. Third movement complete 8:07 36.99 Mb 637 Kbps buy
 
22 22. 22. Like the first movement the fourth begins not with its main theme but wi... 0:47 3.55 Mb 632 Kbps buy
 
23 23. 23. The main theme: an imposing march introduced by trumpets and trombones ... 0:48 3.96 Mb 692 Kbps buy
 
24 24. 24. The main theme part two. A codetta-like passage closes off the march and... 1:01 5.28 Mb 725 Kbps buy
 
25 25. 25. The transitional theme while outwardly contrasting is actually a hidd... 0:53 3.89 Mb 615 Kbps buy
 
26 26. 26. A point of future obsession 0:16 1.16 Mb 604 Kbps buy
 
27 27. 27. The second half of this transitional theme is given to the winds as soo... 0:16 1.20 Mb 627 Kbps buy
 
28 28. 28. The obsession takes root with a ten-fold repetition before the arriva... 0:57 4.24 Mb 623 Kbps buy
 
29 29. 29. The hidden traps in sonata-form terminology: second main theme vs. sec... 2:31 10.48 Mb 582 Kbps buy
 
30 30. 30. The unexpected entry and subsequent ubiquity of Three Blind Mice 1:23 5.83 Mb 588 Kbps buy
 
31 31. 31. We meet the mice again now in the cellos and double-basses where they p... 0:36 2.75 Mb 638 Kbps buy
 
32 32. 32. More Three Blind Mice material 0:30 1.96 Mb 546 Kbps buy
 
33 33. 33. The mice return to the basement where the bassoons have joined the cello... 0:19 1.33 Mb 588 Kbps buy
 
34 34. 34. Next they are back with the clarinets now joined by pizzicato violas w... 0:18 1.18 Mb 549 Kbps buy
 
35 35. 35. Now they return to the high winds delicately trilling 0:15 1.00 Mb 560 Kbps buy
 
36 36. 36. Relief at last: the mice back off making way for a reminder of the main... 0:34 2.36 Mb 580 Kbps buy
 
37 37. 37. The mice yield to woodpeckers clarinets the main theme or its opening... 1:07 4.48 Mb 560 Kbps buy
 
38 38. 38. The triplets of the transitional theme are now handed down through stri... 0:23 1.64 Mb 596 Kbps buy
 
39 39. 39. Reminders of past movements begin to fly by thick and fast sometimes ve... 0:28 1.89 Mb 566 Kbps buy
 
40 40. 40. In fact there are three bits of quotation going on here simultaneously 0:23 1.54 Mb 561 Kbps buy
 
41 41. 41. The violas react every time the Goin Home theme is quoted by the winds 0:13 0.89 Mb 571 Kbps buy
 
42 42. 42. The rhythm of the opening of the Goin Home theme dominates transforme... 0:35 2.82 Mb 676 Kbps buy
 
43 43. 43. The march theme reappears as a Mendelssohnian fairy the main theme from ... 1:55 8.78 Mb 640 Kbps buy
 
44 44. 44. We reach an interesting point: have we heard the beginning of the recapit... 1:05 5.33 Mb 688 Kbps buy
 
45 45. 45. Perhaps this is it? Back for a reminder of the theme proper as we first ... 1:41 8.70 Mb 722 Kbps buy
 
46 46. 46. Tovey places the start of the recapitulation here 1:27 5.89 Mb 567 Kbps buy
 
47 47. 47. The main theme recast in pathetic rather than heroic terms - and with mag... 1:51 7.52 Mb 567 Kbps buy
 
48 48. 48. This unexpected crisis in confidence plays a major role in the overall dr... 1:49 7.14 Mb 549 Kbps buy
 
49 49. 49. The main theme returns - not complete but chopped up into shorter and sh... 1:30 6.85 Mb 638 Kbps buy
 
50 50. 50. A glorious thematic stew high drama a powerful build-up... but then? 0:56 4.41 Mb 659 Kbps buy
 
51 51. 51. The dramatic highpoint of the movement an astonishing transformation bu... 1:26 5.49 Mb 534 Kbps buy
 
52 52. 52. The same chords again this time blasted out by the entire wind and brass... 1:09 4.87 Mb 592 Kbps buy
 
53 53. 53. Now we are into the finishing stretch but the surprises continue to the ... 1:42 8.14 Mb 669 Kbps buy
 
54 54. 54. Summary context and cue into the whole movement 1:05 4.48 Mb 577 Kbps buy
 
55 55. 55. Fourth movement complete 11:05 53.55 Mb 675 Kbps buy
 
Total: 0 $

Buy all (with 10% discount)  
 

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