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CD1

1		01. 1. A quiet beginning: sorrow syncopation and sequence		2:38	6.03 Mb	320 Kbps	купить
2		02. 2. Instrumental colour as a prime element: clarinets and bassoons an outburs...		0:57	2.18 Mb	320 Kbps	купить
3		03. 3. The opening tune again with different instrumental colouring now flutes ...		0:32	1.22 Mb	320 Kbps	купить
4		04. 4. The first big surprise: strings shattering drumbeats shrieks from flutes...		0:37	1.41 Mb	320 Kbps	купить
5		05. 5. Cellos and basses take us into a new key while flutes and oboes dance in s...		0:32	1.22 Mb	320 Kbps	купить
6		06. 6. Horns violas and cellos introduce a new idea soon to evolve into the ma...		0:31	1.19 Mb	320 Kbps	купить
7		07. 7. A tiny detail from the opening culminates in a wild drumming that heralds ...		0:43	1.64 Mb	320 Kbps	купить
8		08. 8. Introduction complete		2:05	4.77 Mb	320 Kbps	купить
9		09. 9. A solo horn introduces the main theme perkily answered by bassoons and horns		0:39	1.49 Mb	320 Kbps	купить
10		10. 10. The theme moves to G major answering phrase from flutes oboes bassoons...		0:33	1.26 Mb	320 Kbps	купить
11		11. 11. Long crescendo tremolo strings back to tonic and biggest statement yet ...		0:39	1.49 Mb	320 Kbps	купить
12		12. 12. Transition to the secondary theme through the use of sequence. Sonata for...		1:36	3.67 Mb	320 Kbps	купить
13		13. 13. Three-bar groupings and again the use of sequence spelling out a chord		0:34	1.30 Mb	320 Kbps	купить
14		14. 14. The sequence continues to rise and the four-bar phrase returns as the st...		0:18	0.69 Mb	320 Kbps	купить
15		15. 15. The first violins start off the next phrase but the melodic shape is mor...		0:21	0.80 Mb	320 Kbps	купить
16		16. 16. The violins fall silent the violas and cellos answer with a new figure ...		0:09	0.35 Mb	320 Kbps	купить
17		17. 17. So now we have a two-tear group made up of statement and answer		0:07	0.27 Mb	321 Kbps	купить
18		18. 18. The same thing again though not quite the same		0:05	0.20 Mb	321 Kbps	купить
19		19. 19. Transition complete. The secondary theme arrives with French horns as b...		1:00	2.29 Mb	320 Kbps	купить
20		20. 20. The bagpipe drone is taken over by cellos with their insistently repea...		0:19	0.73 Mb	320 Kbps	купить
21		21. 21. The tune is taken up by cellos and double-basses shadowed by the secon...		0:57	2.18 Mb	320 Kbps	купить
22		22. 22. The violins continue a pattern of steady pairs and the cellos and basses...		0:33	1.26 Mb	320 Kbps	купить
23		23. 23. Unexpectedly we find ourselves back with the secondary theme. A new idea...		0:26	0.99 Mb	320 Kbps	купить
24		24. 24. Again we hear the shortened version of the secondary theme followed by m...		0:33	1.26 Mb	320 Kbps	купить
25		25. 25. The suspense is heightened as everything slows down a soft still varian...		0:25	0.96 Mb	320 Kbps	купить
26		26. 26. This beautiful flute tune is said to resemble Swing Low Sweet Chariot		0:47	1.80 Mb	320 Kbps	купить
27		27. 27. A big crescendo leads to a final statement of the closing theme bringing...		1:16	2.90 Mb	320 Kbps	купить
28		28. 28. The development section begins with a conversation between cellos double...		1:09	2.63 Mb	320 Kbps	купить
29		29. 29. The beginning of the closing theme is taken up in turn by the horn picco...		0:18	0.69 Mb	320 Kbps	купить
30		30. 30. Sequential chirping from the oboes based on the answering part of the m...		0:18	0.69 Mb	320 Kbps	купить
31		31. 31. Much of the development comes from a diminution of the closing theme from...		0:19	0.73 Mb	320 Kbps	купить
32		32. 32. A tiny detail becomes a major ingredient giving an agitated quality to a...		0:31	1.19 Mb	320 Kbps	купить
33		33. 33. Through a sequence of keys so quickly that it is hard to keep track of th...		0:37	1.42 Mb	320 Kbps	купить
34		34. 34. The main theme from massed cellos and double-basses topped by two trumpe...		1:46	4.05 Mb	320 Kbps	купить
35		35. 35. After that major climax we arrive at the threshold of the recapitulation...		1:04	2.45 Mb	320 Kbps	купить
36		36. 36. Dvorak flouts tradition by setting the secondary theme and the closing th...		1:10	2.67 Mb	320 Kbps	купить
37		37. 37. The tumultuous convulsion of the coda brings the first movement to its ep...		3:09	7.21 Mb	320 Kbps	купить
38		38. 38. Humpty Dumpty: putting the bits back together again		0:20	0.77 Mb	320 Kbps	купить
39		39. 39. First movement complete		11:36	26.56 Mb	320 Kbps	купить
40		40. 40. The very opening chords unmistakably herald the arrival of something special		1:06	2.52 Mb	320 Kbps	купить
41		41. 41. The role of instrumentation in setting the scene		1:10	2.67 Mb	320 Kbps	купить
42		42. 42. and in enhancing the quality of one of the most famous tunes in symphonic...		1:29	3.40 Mb	320 Kbps	купить
43		43. 43. The cor anglais is joined by the clarinet creating a fascinating change ...		1:08	2.60 Mb	320 Kbps	купить
44		44. 44. For the closing part of the tune there is another new sonority: cor angl...		0:24	0.92 Mb	320 Kbps	купить
45		45. 45. The closing bar is repeated by clarinets and bassoons the horn adding a ...		0:28	1.07 Mb	320 Kbps	купить
46		46. 46. Back to the start to hear the whole of the story so far this time withou...		2:24	5.50 Mb	320 Kbps	купить
47		47. 47. A change of scoring: the slow opening chords return this time played by ...		1:14	2.83 Mb	320 Kbps	купить
48		48. 48. The changes in scoring are just beginning		2:35	5.92 Mb	320 Kbps	купить
49		49. 49. The flutes and oboes introduce a new tune over hushed tremolo strings		1:05	2.48 Mb	320 Kbps	купить
50		50. 50. A memorable combination of continuous asymmetrical melody with steady m...		1:28	3.36 Mb	320 Kbps	купить
51		51. 51. Back in that woodland glade the light and shadows have changed revealin...		1:33	3.55 Mb	320 Kbps	купить
52		52. 52. The next section is new and forward-looking yet also a kind of dream-rec...		1:30	3.44 Mb	320 Kbps	купить
53		54. 54. Subjectivity and expertise Sourek and Tovey disagree onwards into the ...		5:14	11.98 Mb	320 Kbps	купить
54		55. 55. Cue to whole movement		0:10	0.39 Mb	320 Kbps	купить
55		56. 56. Second movement complete		12:00	27.47 Mb	320 Kbps	купить

CD2

1		01. 01. Dvorak Beethoven and the Scherzo Dvorak purposely confuses the listene...		1:54	4.35 Mb	320 Kbps	купить
2		02. 02. Using a little fanfare Dvorak further builds up expectation before revea...		0:21	0.81 Mb	320 Kbps	купить
3		03. 03. When the theme is revealed we find that it is not exactly a tune		0:36	1.38 Mb	320 Kbps	купить
4		04. 04. Two little bursts of rhythm provide the seeds from which much of the move...		0:24	0.92 Mb	320 Kbps	купить
5		05. 05. It is the second half of the theme that dominates		0:22	0.84 Mb	320 Kbps	купить
6		06. 06. Back to the beginning to hear the whole of this opening section		0:48	1.84 Mb	320 Kbps	купить
7		07. 07. Without ever being remotely academic or intellectual there is much c...		0:20	0.77 Mb	320 Kbps	купить
8		08. 08. Dvorak s very Czech love of combining conflicting rhythms sometimes metres		2:31	5.76 Mb	320 Kbps	купить
9		09. 09. A clearly transitional passage obsessed with the rhythmic tag that both ...		0:30	1.15 Mb	320 Kbps	купить
10		10. 10. Sooner than we may have expected we seem to have arrived at the Trio sec...		1:07	2.56 Mb	320 Kbps	купить
11		11. 11. A new kind of tone quality sheds a subtly different light on the theme		0:35	1.34 Mb	320 Kbps	купить
12		12. 12. The flutes and oboes now chime in with an answering variant of the opening		0:21	0.81 Mb	320 Kbps	купить
13		13. 13. and the cellos and bassoons take up the original version of the theme.		0:43	1.64 Mb	320 Kbps	купить
14		14. 14. A false alarm: it was not the traditional Trio section at all but rather...		0:52	1.99 Mb	320 Kbps	купить
15		15. 15. Soon after a very rapid build the Scherzo proper does reach its final phase		1:13	2.79 Mb	320 Kbps	купить
16		16. 16. The orchestral texture thins dramatically and we approach what this time...		1:28	3.36 Mb	320 Kbps	купить
17		17. 17. The Trio section is reminiscent more of the Old World than the New		0:50	1.91 Mb	320 Kbps	купить
18		18. 18. In the second half of the Trio a new tune emerges a kind of Slavonic waltz		1:00	2.29 Mb	320 Kbps	купить
19		19. 19. The main theme of the Trio returns against a much fuller orchestral backg...		0:36	1.38 Mb	320 Kbps	купить
20		20. 20. Then it is all a matter of repeats until we reach the coda which ends w...		1:15	2.87 Mb	320 Kbps	купить
21		21. 21. Third movement complete		8:07	18.58 Mb	320 Kbps	купить
22		22. 22. Like the first movement the fourth begins not with its main theme but wi...		0:47	1.80 Mb	320 Kbps	купить
23		23. 23. The main theme: an imposing march introduced by trumpets and trombones ...		0:48	1.83 Mb	320 Kbps	купить
24		24. 24. The main theme part two. A codetta-like passage closes off the march and...		1:01	2.33 Mb	320 Kbps	купить
25		25. 25. The transitional theme while outwardly contrasting is actually a hidd...		0:53	2.03 Mb	320 Kbps	купить
26		26. 26. A point of future obsession		0:16	0.62 Mb	320 Kbps	купить
27		27. 27. The second half of this transitional theme is given to the winds as soo...		0:16	0.62 Mb	320 Kbps	купить
28		28. 28. The obsession takes root with a ten-fold repetition before the arriva...		0:57	2.18 Mb	320 Kbps	купить
29		29. 29. The hidden traps in sonata-form terminology: second main theme vs. sec...		2:31	5.76 Mb	320 Kbps	купить
30		30. 30. The unexpected entry and subsequent ubiquity of Three Blind Mice		1:23	3.17 Mb	320 Kbps	купить
31		31. 31. We meet the mice again now in the cellos and double-basses where they p...		0:36	1.38 Mb	320 Kbps	купить
32		32. 32. More Three Blind Mice material		0:30	1.15 Mb	320 Kbps	купить
33		33. 33. The mice return to the basement where the bassoons have joined the cello...		0:19	0.73 Mb	320 Kbps	купить
34		34. 34. Next they are back with the clarinets now joined by pizzicato violas w...		0:18	0.69 Mb	320 Kbps	купить
35		35. 35. Now they return to the high winds delicately trilling		0:15	0.58 Mb	320 Kbps	купить
36		36. 36. Relief at last: the mice back off making way for a reminder of the main...		0:34	1.30 Mb	320 Kbps	купить
37		37. 37. The mice yield to woodpeckers clarinets the main theme or its opening...		1:07	2.56 Mb	320 Kbps	купить
38		38. 38. The triplets of the transitional theme are now handed down through stri...		0:23	0.88 Mb	320 Kbps	купить
39		39. 39. Reminders of past movements begin to fly by thick and fast sometimes ve...		0:28	1.07 Mb	320 Kbps	купить
40		40. 40. In fact there are three bits of quotation going on here simultaneously		0:23	0.88 Mb	320 Kbps	купить
41		41. 41. The violas react every time the Goin Home theme is quoted by the winds		0:13	0.50 Mb	320 Kbps	купить
42		42. 42. The rhythm of the opening of the Goin Home theme dominates transforme...		0:35	1.34 Mb	320 Kbps	купить
43		43. 43. The march theme reappears as a Mendelssohnian fairy the main theme from ...		1:55	4.39 Mb	320 Kbps	купить
44		44. 44. We reach an interesting point: have we heard the beginning of the recapit...		1:05	2.48 Mb	320 Kbps	купить
45		45. 45. Perhaps this is it? Back for a reminder of the theme proper as we first ...		1:41	3.86 Mb	320 Kbps	купить
46		46. 46. Tovey places the start of the recapitulation here		1:27	3.32 Mb	320 Kbps	купить
47		47. 47. The main theme recast in pathetic rather than heroic terms - and with mag...		1:51	4.24 Mb	320 Kbps	купить
48		48. 48. This unexpected crisis in confidence plays a major role in the overall dr...		1:49	4.16 Mb	320 Kbps	купить
49		49. 49. The main theme returns - not complete but chopped up into shorter and sh...		1:30	3.44 Mb	320 Kbps	купить
50		50. 50. A glorious thematic stew high drama a powerful build-up... but then?		0:56	2.14 Mb	320 Kbps	купить
51		51. 51. The dramatic highpoint of the movement an astonishing transformation bu...		1:26	3.29 Mb	320 Kbps	купить
52		52. 52. The same chords again this time blasted out by the entire wind and brass...		1:09	2.64 Mb	320 Kbps	купить
53		53. 53. Now we are into the finishing stretch but the surprises continue to the ...		1:42	3.90 Mb	320 Kbps	купить
54		54. 54. Summary context and cue into the whole movement		1:05	2.48 Mb	320 Kbps	купить
55		55. 55. Fourth movement complete		11:05	25.37 Mb	320 Kbps	купить

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CD1

1		01. 1. A quiet beginning: sorrow syncopation and sequence		2:38	11.27 Mb	598 Kbps	купить
2		02. 2. Instrumental colour as a prime element: clarinets and bassoons an outburs...		0:57	3.60 Mb	529 Kbps	купить
3		03. 3. The opening tune again with different instrumental colouring now flutes ...		0:32	2.08 Mb	544 Kbps	купить
4		04. 4. The first big surprise: strings shattering drumbeats shrieks from flutes...		0:37	2.73 Mb	618 Kbps	купить
5		05. 5. Cellos and basses take us into a new key while flutes and oboes dance in s...		0:32	2.01 Mb	527 Kbps	купить
6		06. 6. Horns violas and cellos introduce a new idea soon to evolve into the ma...		0:31	2.14 Mb	578 Kbps	купить
7		07. 7. A tiny detail from the opening culminates in a wild drumming that heralds ...		0:43	3.28 Mb	640 Kbps	купить
8		08. 8. Introduction complete		2:05	8.11 Mb	543 Kbps	купить
9		09. 9. A solo horn introduces the main theme perkily answered by bassoons and horns		0:39	2.65 Mb	570 Kbps	купить
10		10. 10. The theme moves to G major answering phrase from flutes oboes bassoons...		0:33	2.47 Mb	626 Kbps	купить
11		11. 11. Long crescendo tremolo strings back to tonic and biggest statement yet ...		0:39	3.09 Mb	664 Kbps	купить
12		12. 12. Transition to the secondary theme through the use of sequence. Sonata for...		1:36	6.52 Mb	569 Kbps	купить
13		13. 13. Three-bar groupings and again the use of sequence spelling out a chord		0:34	2.38 Mb	587 Kbps	купить
14		14. 14. The sequence continues to rise and the four-bar phrase returns as the st...		0:18	1.26 Mb	588 Kbps	купить
15		15. 15. The first violins start off the next phrase but the melodic shape is mor...		0:21	1.40 Mb	560 Kbps	купить
16		16. 16. The violins fall silent the violas and cellos answer with a new figure ...		0:09	0.67 Mb	620 Kbps	купить
17		17. 17. So now we have a two-tear group made up of statement and answer		0:07	0.46 Mb	554 Kbps	купить
18		18. 18. The same thing again though not quite the same		0:05	0.32 Mb	536 Kbps	купить
19		19. 19. Transition complete. The secondary theme arrives with French horns as b...		1:00	4.36 Mb	608 Kbps	купить
20		20. 20. The bagpipe drone is taken over by cellos with their insistently repea...		0:19	1.38 Mb	609 Kbps	купить
21		21. 21. The tune is taken up by cellos and double-basses shadowed by the secon...		0:57	4.37 Mb	641 Kbps	купить
22		22. 22. The violins continue a pattern of steady pairs and the cellos and basses...		0:33	2.34 Mb	593 Kbps	купить
23		23. 23. Unexpectedly we find ourselves back with the secondary theme. A new idea...		0:26	1.85 Mb	597 Kbps	купить
24		24. 24. Again we hear the shortened version of the secondary theme followed by m...		0:33	2.36 Mb	598 Kbps	купить
25		25. 25. The suspense is heightened as everything slows down a soft still varian...		0:25	1.74 Mb	580 Kbps	купить
26		26. 26. This beautiful flute tune is said to resemble Swing Low Sweet Chariot		0:47	3.31 Mb	591 Kbps	купить
27		27. 27. A big crescendo leads to a final statement of the closing theme bringing...		1:16	5.77 Mb	637 Kbps	купить
28		28. 28. The development section begins with a conversation between cellos double...		1:09	5.01 Mb	609 Kbps	купить
29		29. 29. The beginning of the closing theme is taken up in turn by the horn picco...		0:18	1.20 Mb	558 Kbps	купить
30		30. 30. Sequential chirping from the oboes based on the answering part of the m...		0:18	1.25 Mb	579 Kbps	купить
31		31. 31. Much of the development comes from a diminution of the closing theme from...		0:19	1.33 Mb	587 Kbps	купить
32		32. 32. A tiny detail becomes a major ingredient giving an agitated quality to a...		0:31	2.19 Mb	590 Kbps	купить
33		33. 33. Through a sequence of keys so quickly that it is hard to keep track of th...		0:37	2.68 Mb	606 Kbps	купить
34		34. 34. The main theme from massed cellos and double-basses topped by two trumpe...		1:46	8.75 Mb	691 Kbps	купить
35		35. 35. After that major climax we arrive at the threshold of the recapitulation...		1:04	4.55 Mb	596 Kbps	купить
36		36. 36. Dvorak flouts tradition by setting the secondary theme and the closing th...		1:10	4.88 Mb	584 Kbps	купить
37		37. 37. The tumultuous convulsion of the coda brings the first movement to its ep...		3:09	14.85 Mb	658 Kbps	купить
38		38. 38. Humpty Dumpty: putting the bits back together again		0:20	1.38 Mb	578 Kbps	купить
39		39. 39. First movement complete		11:36	55.73 Mb	671 Kbps	купить
40		40. 40. The very opening chords unmistakably herald the arrival of something special		1:06	4.07 Mb	516 Kbps	купить
41		41. 41. The role of instrumentation in setting the scene		1:10	4.27 Mb	512 Kbps	купить
42		42. 42. and in enhancing the quality of one of the most famous tunes in symphonic...		1:29	5.86 Mb	552 Kbps	купить
43		43. 43. The cor anglais is joined by the clarinet creating a fascinating change ...		1:08	4.34 Mb	534 Kbps	купить
44		44. 44. For the closing part of the tune there is another new sonority: cor angl...		0:24	1.60 Mb	555 Kbps	купить
45		45. 45. The closing bar is repeated by clarinets and bassoons the horn adding a ...		0:28	1.69 Mb	504 Kbps	купить
46		46. 46. Back to the start to hear the whole of the story so far this time withou...		2:24	8.64 Mb	503 Kbps	купить
47		47. 47. A change of scoring: the slow opening chords return this time played by ...		1:14	5.09 Mb	576 Kbps	купить
48		48. 48. The changes in scoring are just beginning		2:35	9.78 Mb	529 Kbps	купить
49		49. 49. The flutes and oboes introduce a new tune over hushed tremolo strings		1:05	4.32 Mb	557 Kbps	купить
50		50. 50. A memorable combination of continuous asymmetrical melody with steady m...		1:28	5.80 Mb	552 Kbps	купить
51		51. 51. Back in that woodland glade the light and shadows have changed revealin...		1:33	6.72 Mb	605 Kbps	купить
52		52. 52. The next section is new and forward-looking yet also a kind of dream-rec...		1:30	5.98 Mb	557 Kbps	купить
53		54. 54. Subjectivity and expertise Sourek and Tovey disagree onwards into the ...		5:14	20.56 Mb	549 Kbps	купить
54		55. 55. Cue to whole movement		0:10	0.69 Mb	573 Kbps	купить
55		56. 56. Second movement complete		12:00	46.33 Mb	539 Kbps	купить

CD2

1		01. 01. Dvorak Beethoven and the Scherzo Dvorak purposely confuses the listene...		1:54	7.74 Mb	569 Kbps	купить
2		02. 02. Using a little fanfare Dvorak further builds up expectation before revea...		0:21	1.44 Mb	572 Kbps	купить
3		03. 03. When the theme is revealed we find that it is not exactly a tune		0:36	2.44 Mb	566 Kbps	купить
4		04. 04. Two little bursts of rhythm provide the seeds from which much of the move...		0:24	1.58 Mb	548 Kbps	купить
5		05. 05. It is the second half of the theme that dominates		0:22	1.37 Mb	519 Kbps	купить
6		06. 06. Back to the beginning to hear the whole of this opening section		0:48	3.92 Mb	684 Kbps	купить
7		07. 07. Without ever being remotely academic or intellectual there is much c...		0:20	1.41 Mb	589 Kbps	купить
8		08. 08. Dvorak s very Czech love of combining conflicting rhythms sometimes metres		2:31	10.61 Mb	589 Kbps	купить
9		09. 09. A clearly transitional passage obsessed with the rhythmic tag that both ...		0:30	2.08 Mb	581 Kbps	купить
10		10. 10. Sooner than we may have expected we seem to have arrived at the Trio sec...		1:07	4.34 Mb	543 Kbps	купить
11		11. 11. A new kind of tone quality sheds a subtly different light on the theme		0:35	2.51 Mb	600 Kbps	купить
12		12. 12. The flutes and oboes now chime in with an answering variant of the opening		0:21	1.48 Mb	590 Kbps	купить
13		13. 13. and the cellos and bassoons take up the original version of the theme.		0:43	3.08 Mb	599 Kbps	купить
14		14. 14. A false alarm: it was not the traditional Trio section at all but rather...		0:52	3.51 Mb	566 Kbps	купить
15		15. 15. Soon after a very rapid build the Scherzo proper does reach its final phase		1:13	5.68 Mb	652 Kbps	купить
16		16. 16. The orchestral texture thins dramatically and we approach what this time...		1:28	5.79 Mb	552 Kbps	купить
17		17. 17. The Trio section is reminiscent more of the Old World than the New		0:50	3.48 Mb	583 Kbps	купить
18		18. 18. In the second half of the Trio a new tune emerges a kind of Slavonic waltz		1:00	4.21 Mb	588 Kbps	купить
19		19. 19. The main theme of the Trio returns against a much fuller orchestral backg...		0:36	2.74 Mb	638 Kbps	купить
20		20. 20. Then it is all a matter of repeats until we reach the coda which ends w...		1:15	5.16 Mb	576 Kbps	купить
21		21. 21. Third movement complete		8:07	36.99 Mb	637 Kbps	купить
22		22. 22. Like the first movement the fourth begins not with its main theme but wi...		0:47	3.55 Mb	632 Kbps	купить
23		23. 23. The main theme: an imposing march introduced by trumpets and trombones ...		0:48	3.96 Mb	692 Kbps	купить
24		24. 24. The main theme part two. A codetta-like passage closes off the march and...		1:01	5.28 Mb	725 Kbps	купить
25		25. 25. The transitional theme while outwardly contrasting is actually a hidd...		0:53	3.89 Mb	615 Kbps	купить
26		26. 26. A point of future obsession		0:16	1.16 Mb	604 Kbps	купить
27		27. 27. The second half of this transitional theme is given to the winds as soo...		0:16	1.20 Mb	627 Kbps	купить
28		28. 28. The obsession takes root with a ten-fold repetition before the arriva...		0:57	4.24 Mb	623 Kbps	купить
29		29. 29. The hidden traps in sonata-form terminology: second main theme vs. sec...		2:31	10.48 Mb	582 Kbps	купить
30		30. 30. The unexpected entry and subsequent ubiquity of Three Blind Mice		1:23	5.83 Mb	588 Kbps	купить
31		31. 31. We meet the mice again now in the cellos and double-basses where they p...		0:36	2.75 Mb	638 Kbps	купить
32		32. 32. More Three Blind Mice material		0:30	1.96 Mb	546 Kbps	купить
33		33. 33. The mice return to the basement where the bassoons have joined the cello...		0:19	1.33 Mb	588 Kbps	купить
34		34. 34. Next they are back with the clarinets now joined by pizzicato violas w...		0:18	1.18 Mb	549 Kbps	купить
35		35. 35. Now they return to the high winds delicately trilling		0:15	1.00 Mb	560 Kbps	купить
36		36. 36. Relief at last: the mice back off making way for a reminder of the main...		0:34	2.36 Mb	580 Kbps	купить
37		37. 37. The mice yield to woodpeckers clarinets the main theme or its opening...		1:07	4.48 Mb	560 Kbps	купить
38		38. 38. The triplets of the transitional theme are now handed down through stri...		0:23	1.64 Mb	596 Kbps	купить
39		39. 39. Reminders of past movements begin to fly by thick and fast sometimes ve...		0:28	1.89 Mb	566 Kbps	купить
40		40. 40. In fact there are three bits of quotation going on here simultaneously		0:23	1.54 Mb	561 Kbps	купить
41		41. 41. The violas react every time the Goin Home theme is quoted by the winds		0:13	0.89 Mb	571 Kbps	купить
42		42. 42. The rhythm of the opening of the Goin Home theme dominates transforme...		0:35	2.82 Mb	676 Kbps	купить
43		43. 43. The march theme reappears as a Mendelssohnian fairy the main theme from ...		1:55	8.78 Mb	640 Kbps	купить
44		44. 44. We reach an interesting point: have we heard the beginning of the recapit...		1:05	5.33 Mb	688 Kbps	купить
45		45. 45. Perhaps this is it? Back for a reminder of the theme proper as we first ...		1:41	8.70 Mb	722 Kbps	купить
46		46. 46. Tovey places the start of the recapitulation here		1:27	5.89 Mb	567 Kbps	купить
47		47. 47. The main theme recast in pathetic rather than heroic terms - and with mag...		1:51	7.52 Mb	567 Kbps	купить
48		48. 48. This unexpected crisis in confidence plays a major role in the overall dr...		1:49	7.14 Mb	549 Kbps	купить
49		49. 49. The main theme returns - not complete but chopped up into shorter and sh...		1:30	6.85 Mb	638 Kbps	купить
50		50. 50. A glorious thematic stew high drama a powerful build-up... but then?		0:56	4.41 Mb	659 Kbps	купить
51		51. 51. The dramatic highpoint of the movement an astonishing transformation bu...		1:26	5.49 Mb	534 Kbps	купить
52		52. 52. The same chords again this time blasted out by the entire wind and brass...		1:09	4.87 Mb	592 Kbps	купить
53		53. 53. Now we are into the finishing stretch but the surprises continue to the ...		1:42	8.14 Mb	669 Kbps	купить
54		54. 54. Summary context and cue into the whole movement		1:05	4.48 Mb	577 Kbps	купить
55		55. 55. Fourth movement complete		11:05	53.55 Mb	675 Kbps	купить

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